Helen Huang, a costume designer for hit television show “Supernatural,” reveals her secrets to color coordination and how she uses it in each episode.
Helen Huang is a costume designer who has brought color to the post. She has designed for many TV shows and movies, such as “The Walking Dead”.
HBO’s Station Eleven Max’s adaptation of Emily St. John Mandel’s award-winning book of the same name will premiere in just a few days on Thursday, December 16th, and will transport viewers to a world transformed by a terrible flu epidemic that wipes off the majority of the world’s population. Those who have survived the collapse of the world as we know it have constructed new lives and communities for themselves, while a traveling troupe of actors and musicians brings Shakespeare’s works to this new civilization.
It’s a post-apocalyptic world in almost every respect, but it’s also a post-apocalyptic world unlike any we’ve seen before. The world of Station Eleven is vibrant, rich, and full of life in the face of loss, even for a civilization that has suffered great sorrow. The clothes, or the attire worn by the characters in the series, are an important component of that distinctive visual experience. The costumes, both those worn by the characters in their post-pandemic lives and those worn by the Traveling Symphony in their performances, all create a portrait of their own, of humanity’s resilience, as well as the desire to create art and beauty even in the darkest of times, as seen in the series’ trailers. Huang noted that the lush, overgrown elements of nature incorporated by series creator Patrick Somerville rather than the dry, bleak tones of most post-apocalyptic stories informed the colorful palette of the costumes in a recent interview with Station Eleven costume designer Helen Huang about costuming the world of Station Eleven.
(Photo courtesy of HBO Max)
“I read two of the episode scripts when I met with Hiro [Murai] and Patrick, and the second episode that Patrick wrote really touched me. His environment consisted of lush, overgrown vegetation invading an area that had been neglected. However, it sounded rich and lovely, and it had a summery feel to it “Huang said. “That struck me as peculiar since, in a lot of post-apocalyptic art and imagery, the absence of water is a major theme, everything is a desert for some reason, and there are war lords everywhere. Then there’s the color pallet, which is generally gray or sepia or whatever. So, in one sense, the aesthetic is pigeonholed.”
Huang also said that Station Eleven required a greater attention on individual people and their experiences, both before and after the planet collapsed, which influenced how she used color and the familiar in the series’ design.
“Also, I believe that in that kind of work, the aesthetic is sometimes defined by the broader aesthetic of the world rather than by the person. So I made the pitch that I truly wanted to feel… I had my heart set on a few of items. I truly wanted to feel as though everything in this environment was a discovered item, a kind of modern-day recollection of our civilisation “Huang said. “I knew I wanted to utilize a lot of color because I believe there is a lot of color in our contemporary environment that defines us, as well as the graphics that characterize us, and I don’t see why these things would just vanish in the future. Clothing and other similar items do not degrade. Things in our world don’t crumble and vanish just because we reach the future, you understand?”
(Photo courtesy of HBO Max)
She went on to say, “So that was something I really wanted to maintain, and I really wanted to make sure people got it. I believe that relates to what the book and Patrick are trying to convey, which is that in the future, even when people have had horrible experiences, they will still want to make art, clothe themselves, and be unique. These things, I believe, should be recognized in the world we’re building.”
“A post-apocalyptic story spanning many eras, this limited drama series explores the experiences of survivors of a terrible pandemic as they strive to rebuild and remake the world again while hanging on to the best of what’s been lost,” HBO Max said of Station Eleven. Makenzie Davis plays Kirsten, Himesh Patel plays Jeevan, David Wilmot plays Clark, Nabhaan Rizwan plays Frank Chaudhary, Philippine Velge plays Alexandra, Daniel Zovatto plays The Prophet, Lori Petty plays The Conductor, Gael Garcia Bernal plays Arthur, Caitlin FitzGerald plays Elizabeth, and Danielle Deadwyler plays Miranda in the ten-episode series.
On Thursday, December 16th, HBO Max will premiere the first three episodes of Station Eleven.
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Helen Huang is a costume designer who has been in the industry for over 20 years. She has worked on many films, and was recently interviewed by Linkedin about her work in film. Reference: helen huang linkedin.
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